AARON TIPPIN
TOP HITS:
You’ve Got to Stand for Something
Kiss This
There Ain’t Nothin’ Wrong with the Radio
My Blue Angel
Twenty-Five years – a huge career accomplishment, especially in the music business. Aaron Tippin – who marks his silver anniversary as a recording artist this year – admits that he looks at his career longevity with a little bit of amazement.“I think about it and go ‘Wow. What am I doing still here?’ I look at the flight that we took off in,” referring to his fellow newcomers at the time of his career launch. “A lot of them are gone, it seems. Some quit by choice. Some ran out from under it, but to be here twenty-five years doing it, I am the luckiest hillbilly that ever lived.”Tippin says that nobody was any more surprised that he got an invitation to join the roster of Nashville powerhouse RCA back in 1990 than him. In fact, at the time he inked his deal, he had almost given up hope of success as a vocalist, concentrating on his budding career as a songwriter – with cuts from the likes of The Kingsmen, Mark Collie, and Charley Pride.“I thought my chances were gone. I came to town when I was about twenty-five years old. I had been seriously trying to get a record deal for about three or four years. I just thought ‘Man, this ain’t gonna happen.’ I really had settled into songwriting, and my songs started to get recognized. One of the gals down at RCA – Mary Martin heard me singing my demos. She said ‘Who is that?’ They said, ‘That’s that Tippin guy down there who writes for Acuff / Rose – the muscle guy.’ She said ‘That’s hillbilly. That’s country. Let me hear what else he’s got. I want to meet him.”Aaron recalls that walking into the RCA office to meet with label head Joe Galante definitely had a magical vibe, as well it should. “The label was on fire. Clint Black was on top of the charts, along with the Judds and Keith Whitley. What a great team to fall into there. I’m so thankful that Joe took a chance on me. It sure worked out, and I had a great run there. I remember when he sent me my plastic Nipper dog and my Varsity Jacket. I couldn’t believe it.”He also couldn’t believe that his first single, “You’ve Got To Stand For Something,” hit the Billboard Country Singles chart – eventually peaking at # 6. The success of that record also brought him a career opportunity that completely blew his mind. “When the song started to get played in Los Angeles, we got a call from Bob Hope’s daughter Linda. She heard the song, and asked if I’d be interested in going over and entertaining the troops. It didn’t take him long to give her an answer. “I said ‘Are you kidding me? Bob Hope? I never in a zillion years dreamed I would be on the Bob Hope show.”And, just like that, Aaron Tippin was off to the races. The hits continued to pile up - “There Ain’t Nothin’ Wrong With The Radio,” “My Blue Angel,” and “Workin’ Man’s PhD,” among them. He was building his brand on songs that touched a nerve with his blue-collar audience – and that one of a kind vocal style that definitely was Country. “You either liked it or you hated it. I is what I is,” he says with a smile. “I think several times during my record career, we tried to change and follow trends and stuff. But, it never seemed to work for me. The most success I had in the business was with songs that I crafted. I’m very proud of that.
For more information, visit: www.aarontippin.com
*Artist represented exclusively by UTA